That might be a reason to make the conversion to CMYK in Photoshop, so you have a chance to control the final output color. In the end you probably will get a somewhat more saturated color on press.Īlso, the Color Intent that is used to make the conversion to CMYK has some affect on how color is brought into gamut. Open the Tools Meun, then click on Color Printing in. It's a difficult color combination because saturated cyan/green colors are also outside of the RGB gamut, while the neighboring blue colors are out of the CMYK gamut, so you can't really see some of the print color on your RGB monitor. First, open the publication that you wish to convert using the Publisher 2002 or older version. In this case there are no great options, but you could try adjusting the hue of the cyan colors. On a CMYK conversion the closest CMYK color has a similar value to the surrounding area, so you lose the highlight effect: Without actually making the conversion to CMYK I can see how the out-of-gamut color is going to be brought into gamut by choosing Proof Colors with the Proof Setup set to Working CMYK (my current Color Settings Working CMYK space defines the gamut). Do it once for Fills (which will cover both text fills and object fills) and another time for Strokes. Here you can see that the cyan/green highlight is out-of-gamut (View>Gamut Warning). 1 Correct answer Eugene Tyson Community Expert, Export the file to PDF and choose Interactive PDF. You can Find/Change by Object attributes (see the red circles below). You you might try opening the art in Photoshop and see if you can control how the RGB color is brought into gamut. Changing the blend space to RGB only delays the conversion to CMYK, which will still have to happen at output (assuming the output is an offset press).
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